{"id":2578,"date":"2026-10-31T07:07:12","date_gmt":"2026-10-31T11:07:12","guid":{"rendered":"https:\/\/portal.radiopana.com.ve\/?p=2578"},"modified":"2026-10-31T07:07:14","modified_gmt":"2026-10-31T11:07:14","slug":"el-reality-show-frente-al-marde-maria-corina","status":"publish","type":"post","link":"https:\/\/portal.radiopana.com.ve\/?p=2578","title":{"rendered":"EL REALITY SHOW FRENTE AL MARDE MAR\u00cdA CORINA"},"content":{"rendered":"\n

Federico Ru\u00edz Tirado<\/strong><\/p>\n\n\n\n

\u200bHay una metaf\u00edsica perversa en el espect\u00e1culo actual, una suerte de geometr\u00eda del absurdo donde las tragedias humanas no se miden por el peso de sus escombros, sino por el encuadre exacto del lente.<\/p>\n\n\n\n

Cort\u00e1zar intuy\u00f3 que el m\u00e1s crudo horror habita en la rutina intercalada con la fantas\u00eda. Sabato tambi\u00e9n lo sinti\u00f3 en esa soledad abrumadora donde la condici\u00f3n humana queda reducida a una farsa burocr\u00e1tica y est\u00e9ril.<\/p>\n\n\n\n

Actriz de cart\u00f3n<\/strong><\/p>\n\n\n\n

\u200bMar\u00eda Corina Machado, en ese interminable set de televisi\u00f3n al aire libre, asisti\u00f3 esta semana a otra de sus funciones estelares. \u200bLa cronolog\u00eda del segmento presenta datos tan registrados que no necesitan adjetivos para otorgar a su espect\u00e1culo ni un mil\u00edmetro de parafernalia: su sola existencia expone la grieta y para los pelos de punta a una masa un tanto inespec\u00edfica de esta Venezuela de hoy: un s\u00edntoma que no deber\u00eda existir, pero s\u00ed, ah\u00ed est\u00e1, como el dinosaurio de Monterroso.<\/p>\n\n\n\n

\u200bLa impuntualidad como m\u00e9todo<\/strong><\/p>\n\n\n\n

Han transcurrido cuatro meses desde que la tierra se abri\u00f3. Cuatro meses de desamparo, de polvo asentado y de angustia acumulada. Lo califican como el \u00abDoblete S\u00edsmico\u00bb. Es como esas pesadillas que no logran despertar a nadie.<\/p>\n\n\n\n

Nada imped\u00eda su llegada, como se encargaron de precisar con fr\u00eda precisi\u00f3n, portavoces del propio gobierno estadounidense. Pero la tragedia, como los buenos guiones, requiere que los actores principales elijan el momento de su entrada, y en su caso, que la Divina Providencia le moviera el coraz\u00f3n para colaborar en met\u00e1lico con algunos habitantes de la Guaira que, sin \u00e1nimo para escuchar el cuento del gallo pel\u00f3n del nobel de la paz, esperaban tal vez agua mineral o pintura multicolor.<\/p>\n\n\n\n

Cuatro meses despu\u00e9s, la escena finalmente consider\u00f3 que el decorado estaba listo.<\/p>\n\n\n\n

\u200bEl itinerario de las prioridades<\/strong><\/p>\n\n\n\n

Mientras algunas de las v\u00edctimas del terremoto aprend\u00edan a contar los d\u00edas, su agenda p\u00fablica demandaba compromisos de mayor envergadura internacional. Hab\u00eda que recoger un Premio Nobel y la platica que lo acompa\u00f1a, alternar en las galer\u00edas del poder global, estrechar las manos de dignatarios y posar ante los reflectores del mundo.<\/p>\n\n\n\n

La gesti\u00f3n de ayuda material para los damnificados, al parecer, resultaba un asunto demasiado vulgar para ser incluido en la maleta de viaje.<\/p>\n\n\n\n

\u200bEl agua que no lleg\u00f3: La visita a La Guaira complet\u00f3 la par\u00e1bola. Se puede cruzar un territorio desolado e ignorar la sed de los sobrevivientes, lo que resulta insostenible es no llevar consigo ni una sola caja de agua mineral. Hay en esa omisi\u00f3n un rigor casi po\u00e9tico: la negativa a aportar lo indispensable para no arruinar la pureza del s\u00edmbolo.
\u200bLo que ocurri\u00f3 no fue una jornada de auxilio ni un acto de presencia \u00abinstitucional\u00bb. Fue, en el sentido m\u00e1s t\u00e9cnico de la cinematograf\u00eda contempor\u00e1nea, una sesi\u00f3n fotogr\u00e1fica.<\/p>\n\n\n\n

\u200bEl turismo de tragedia que fascinar\u00eda a los te\u00f3ricos del vac\u00edo\u2014 requiere de ruinas aut\u00e9nticas como fondo para resaltar la figura del visitante. El dolor ajeno deja de ser una realidad biol\u00f3gica para convertirse en la escenograf\u00eda perfecta. La mirada no busca el rostro del que sufre, sino el \u00e1ngulo donde la luz favorece la narrativa de la compasi\u00f3n abstracta.<\/p>\n\n\n\n

\u200bEl teatro de lo absurdo<\/strong><\/p>\n\n\n\n

\u200bNo queremos habituarnos a vivir en una producci\u00f3n continua donde las necesidades humanas derivadas del sismo sean \u00fanicamente insumos de producci\u00f3n, ya basta Mar\u00eda Machado. La tragedia no existe si no genera contenidos, las v\u00edctimas no importan hasta que sirven de extras en la toma final.<\/p>\n\n\n\n

\u200bAl final, queda el silencio de las ruinas y la certeza de que el espect\u00e1culo continuar\u00e1 ma\u00f1ana. Porque en esta tierra habituada a los milagros al rev\u00e9s, las promesas se evaporan tan r\u00e1pido como el agua que nunca lleg\u00f3, pero las fotograf\u00edas, impecablemente editadas, permanecen para siempre en la galer\u00eda de los simuladores.<\/p>\n","protected":false},"excerpt":{"rendered":"

Federico Ru\u00edz Tirado \u200bHay una metaf\u00edsica perversa en el espect\u00e1culo actual, una suerte de geometr\u00eda del absurdo donde las tragedias humanas no se miden por el peso de sus escombros, sino por el encuadre exacto del lente. Cort\u00e1zar intuy\u00f3 que el m\u00e1s crudo horror habita en la rutina intercalada con la fantas\u00eda. Sabato tambi\u00e9n lo […]<\/p>\n","protected":false},"author":2,"featured_media":2173,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-2578","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias"],"yoast_head":"\nEL REALITY SHOW FRENTE AL MARDE MAR\u00cdA CORINA - Radio Pana<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/portal.radiopana.com.ve\/?p=2578\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EL REALITY SHOW FRENTE AL MARDE MAR\u00cdA CORINA - Radio Pana\" \/>\n<meta property=\"og:description\" content=\"Federico Ru\u00edz Tirado \u200bHay una metaf\u00edsica perversa en el espect\u00e1culo actual, una suerte de geometr\u00eda del absurdo donde las tragedias humanas no se miden por el peso de sus escombros, sino por el encuadre exacto del lente. Cort\u00e1zar intuy\u00f3 que el m\u00e1s crudo horror habita en la rutina intercalada con la fantas\u00eda. 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