{"id":2733,"date":"2026-11-08T06:15:42","date_gmt":"2026-11-08T10:15:42","guid":{"rendered":"https:\/\/portal.radiopana.com.ve\/?p=2733"},"modified":"2026-11-08T06:24:30","modified_gmt":"2026-11-08T10:24:30","slug":"el-rock-no-es-un-mitin","status":"publish","type":"post","link":"https:\/\/portal.radiopana.com.ve\/?p=2733","title":{"rendered":"EL ROCK NO ES UN MITIN"},"content":{"rendered":"\n

Federico Ru\u00edz Tirado<\/strong><\/p>\n\n\n\n

Cuando el rock de los 60 y 70 le declar\u00f3 la guerra a la pol\u00edtica de uso proselitista del poder, sobre todo en la era de los Kennedy y del llamado \u00abestado profundo\u00bb, inventando dobles de solistas o bandas originales, como lo ha hecho El Emperador con Neil Yuong con canciones alejadas de esp\u00edritu belicoso del pent\u00e1gono, el autor de \u00abBajando por el r\u00edo\u00bb, lo demand\u00f3, digamos que simb\u00f3licamente para protestar ese abuso.<\/p>\n\n\n\n

\u200bHay una iron\u00eda fundacional en la relaci\u00f3n entre la m\u00fasica de estadios y el poder pol\u00edtico contempor\u00e1neo.<\/p>\n\n\n\n

El atajo emocional<\/strong><\/p>\n\n\n\n

Desde que los m\u00edtines electorales dejaron de ser plazas polvorientas con discursos le\u00eddos bajo el sol para convertirse en producciones de Broadway adaptadas al consumo masivo, los estrategas de campa\u00f1a han buscado desesperadamente un atajo emocional: robarle prestada el alma a los himnos generacionales. Y es ah\u00ed, precisamente, donde choca la maquinaria electoral con la memoria de los 60 y 70.<\/p>\n\n\n\n

\u200bUsurpado Woodstock<\/strong><\/p>\n\n\n\n

\u200bDurante la segunda mitad del siglo XX, la canci\u00f3n protesta y el rock de autor no nacieron para sonorizar comerciales de detergentes ni hamburguesas mortales, ni para servir de alfombra roja a ning\u00fan candidato presidencial, como lo demostr\u00f3 Jonh Lenon de cara a la reina embalsamada de Inglaterra. Eran, por el contrario, artefactos de disenso.<\/p>\n\n\n\n

Reagan, el vaquero ladr\u00f3n<\/strong><\/p>\n\n\n\n

\u200bCuando Bruce Springsteen vio a Ronald Reagan apropiarse de \u201cBorn in the U.S.A.\u201d en 1984 como si fuera un jingle patri\u00f3tico, ignorando ol\u00edmpicamente que la letra es una cr\u00f3nica descarnada sobre la tragedia de los veteranos de Vietnam, se inaugur\u00f3 una era extra\u00f1a: la de los pol\u00edticos usando canciones cuyos creadores los detestan cordialmente.<\/p>\n\n\n\n

\u200bEl fen\u00f3meno no entiende de ideolog\u00edas, pero s\u00ed de c\u00f3digos est\u00e9ticos. Lo hemos visto repetidamente: desde Donald Trump utilizando temas de Neil Young, Queen, Aerosmith o los Rolling Stones, hasta campa\u00f1as de diverso signo que confunden el derecho de autor con el derecho de pernada cultural. Creen que pagar los aranceles de una licencia general de reproducci\u00f3n (v\u00eda ASCAP o BMI) los exime de la decencia \u00e9tica. Olvidan que una canci\u00f3n con historia tiene due\u00f1o moral, y que el arte de trinchera no se pliega mansamente a los intereses del atril. Tiene dolientes.<\/p>\n\n\n\n

\u200bColisi\u00f3n entre el copyright y el compromiso hist\u00f3rico<\/strong><\/p>\n\n\n\n

\u200b\u00bfPor qu\u00e9 se indignan tanto los m\u00fasicos veteranos? La respuesta reside en la naturaleza misma de su formaci\u00f3n. Aquellos artistas que se curtieron en los festivales de la contracultura, en las marchas por los derechos civiles o bajo el humo de los gases lacrim\u00f3genos de mayo del 68, aprendieron que las canciones son contratos de lealtad con el p\u00fablico, no mercanc\u00edas a disposici\u00f3n del mejor postor.<\/p>\n\n\n\n

\u200bCuando un pol\u00edtico utiliza un tema como \u201cRockin’ in the Free World\u201d o \u201cYou Can’t Always Get What You Want\u201d para entusiasmar a masas polarizadas, comete un error de c\u00e1lculo antropol\u00f3gico, pues confunde la nostalgia con la complicidad. A m\u00ed me arrecha esa forma de ultraje, porque el rock corre por mis venas. Yo he escrito canciones a mi hijo Juan David, que es rockero y me siento feliz cuando me dice: \u00abEst\u00e1 buena, pero no sirve.<\/p>\n\n\n\n

Los herederos de Leonard Cohen o artistas de la talla de John Fogerty (quien sufri\u00f3 en carne propia la apropiaci\u00f3n de \u201cFortunate Son\u201d por parte de la derecha estadounidense) entienden que permitir el uso faccioso de su obra es legitimar un relato contra el cual, muchas veces, llevan d\u00e9cadas escribiendo.<\/p>\n\n\n\n

\u200bEl eco incorruptible de los acordes<\/strong><\/p>\n\n\n\n

\u200bAl final, estas demandas por derechos de autor y cartas de cese y desistimiento son mucho m\u00e1s que pleitos legales de despacho. Son la prueba de que hay ciertos territorios del esp\u00edritu que el marketing pol\u00edtico no puede colonizar por la fuerza de un cheque.<\/p>\n\n\n\n

\u200bLos pol\u00edticos pasan, cambian de eslogan, de asesores y de estrategia comunicacional, pero los himnos del rock cl\u00e1sico conservan esa inc\u00f3moda man\u00eda de recordar lo que la ret\u00f3rica oficial prefiere callar. A mi me hacen llorar Karol King, Joe Cuquer, Hendrix y los Rollins Ston.Y mientras haya un veterano dispuesto a llevarlos a los tribunales por usar su m\u00fasica sin permiso, sabremos que el amplificador de la dignidad sigue, por fortuna, conectado.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Federico Ru\u00edz Tirado Cuando el rock de los 60 y 70 le declar\u00f3 la guerra a la pol\u00edtica de uso proselitista del poder, sobre todo en la era de los Kennedy y del llamado \u00abestado profundo\u00bb, inventando dobles de solistas o bandas originales, como lo ha hecho El Emperador con Neil Yuong con canciones alejadas […]<\/p>\n","protected":false},"author":2,"featured_media":2173,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,34],"tags":[],"class_list":["post-2733","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-opinion"],"yoast_head":"\nEL ROCK NO ES UN MITIN - Radio Pana<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/portal.radiopana.com.ve\/?p=2733\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EL ROCK NO ES UN MITIN - 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